646f9e108c A Chicago private detective returns back home to Louisville, Kentucky, to help her father fight mobsters.
Sheba Shayne (Pam Grier) returns to her hometown of Louisville, Kentucky to help her father. A proud businessman, he refuses to be intimidated by thugs attempting to run him out of business. While Sheba looks for the men (and the organization) supporting the thugs, she also finds a sinister motive behind their actions. Sheba's former flame Brick (Austin Stoker) adds some muscle to her mission.
This was Pam Grier's final blaxploitation film. By now she had stopped doing nude scenes. Pam returns home to find her dad being muscled out of business by some thugs. She springs into action against them. What I like about this film is that it captured the era so well. The large automobiles, the colorful clothes with wide lapels, and the prices for fast food burgers. Pam apparently does her own stunts. The scenes of her running and shooting a gun are comical by today's standards. Pam "runs like a girl" which is unlike tough women in the films today. She also runs around trains, cars, and buildings instead of jumping on roof tops.<br/><br/>As a regular film, it is somewhat of a let down, especially compared to Pam's other works suchCoffy, The Big Bird Cage Women in Cages, The Big Doll House, and Scream Blacula Scream.<br/><br/>No f-bombs, not much in the sex and nudity department.
Sheba Shayne (Pam Grier) receives a telegram informing her that her father may be in trouble. Sheba, a private investigator and former cop, goes to her father's aid. But someone will stop at nothing to run her father out of business. An attempt to show their muscle goes awry and Sheba's father is gunned down in cold blood. These guys have messed with the wrong woman.<br/><br/>If I had to describe Sheba Baby, the best I can come up with is Pam Grier Lite with some really bad acting. For a Pam Grier film, Sheba Baby is incredibly tame. It's nowhere nearviolentsome of her earlier films. Gone are the over-the-top images of Pam placing a small revolver or razor blades in her afro. Pilot (D'Urville Martin) and his crew can't hold a candle to some of the real villains Pam faced in her previous movies. It's strictly by-the-numbers and almost has a made-for-TV feel. As for the bad acting, the baddies that Pam faces off with areunnatural sounding in their deliveryI've seen. As a result, characters like Pilot don't come acrossthreateningthey should or need to for the movie to work.<br/><br/>That's not to say there aren't moments or elements in Sheba Baby that I didn't enjoy (Pam in a wetsuit and Pam brandishing a spear gun), it's just that when compared with Pam's other films like Coffy, Foxy Brown, and even Friday Foster that the movie fails.<br/><br/>One final observation - maybe I'm just more sensitive to these things post-9/11, but I don't remember a time, even in the security lax 70s, when you could take a suitcase full of guns on an airplane. When Sheba flies to her father's aid, she's got an arsenal packed in her luggage!


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